The Power of the Edit

24 02 2013

Avast matey. Yer back perusing my lovely drivel and coloured rectangles, I see. Today I’m showing off the importance of a little brushing up to your images. Or in this case, a good brush up.

Right so, one thing I always notice that new photographers tend to forget is the importance of the edit. So many go to all the effort of getting the lighting spot on, the model looking spectacular and then they upload the very basic file from the camera. I’ll say it now – every¬†photo needs some sort of photo-manipulation. There’s no difference between editing a photograph in a darkroom, or in a bright room at a computer. Except maybe the speed. Oh and cost. I can’t stand photo-manipulation snobs. You don’t get un-produced tracks on great albums, why put your name to unedited images?

I’ve been known to do the very least amount required in my early work, but I find I enjoy editing as much as the actual shoot these days. People go mental when other photographers say ‘I can fix it in the edit’, but to be perfectly honest I sometimes shoot with the post-process in mind.

For example, the recent DollyFrocks shoot is for their summer line. I forgot that with the initial edit, mind you, but I went back and put about 40 minutes into this one:

I changed almost everything – the colour of the sky, the models hair, the manke-up tones – the whole shebang. Truth be told, these are things I couldn’t have controlled. The hair was victim to the wind, the make up was slightly flat and as hard as I tried, the sky refused to go golden at 2pm. I probably could have done the whole thing in less than 40 minutes, but there was a semi-interesting Liam Nesson film on in the background.

Anyway, here’s a before and after.

Having seen them like this (I’ve never put the before and after beside each other before) I think I’ll start keeping a record of my best ones.
While this one might be a tad overcooked, I really like it, so screw you. If anyone wants the process, just leave a comment and I’ll point you in the right direction.