Rugilė Šilalytė

21 11 2012

Hello again!

It’s been *ages* since I’ve been on here, but I’ve decided to make a long-awaited return, because, well the fan-mail was getting to much to ignore…

Anyway, I’ve been up to loads since you last heard from me, most notably moving from music photography to portraits. To that end, here’s a shoot with the simply fantastic Rugilė, (the best model I’ve worked with yet) in the Phoenix Park. I was also assistant by the fantastic Richard Timmons.

We were blessed with the weather, the sun was glorious and golden even as early as 2pm and the wind died down as soon as we arrived. We found an ideal spot for the three of us to shoot away from the surprisingly large crowd in the park at that hour on a Tuesday. All in all, things were in our favour. That and I’ve really got my head around the whole strobist thing.

Unfortunately Rugilė, is heading to the UK soon, so this was the first and last chance I had to shoot with her.  Personally , I was really impressed with how the shoot went – she posed like a pro and had the patience of a saint throughout.

I used only one strobe, rather than complicate things like I normally do. It meant we depended on the sun as a kicker throughout, but it also allowed us to get some creative glare shots without any major hassle.

Photoshopping was very easy this time. Infact, there was hardly a need for any – the light was perfect and the soft-light that we got from the softbox made for some great glamourous light – no surface blur was required in any of these shots. If anything, the only tweak that was needed was to the colour balance. It was hard to see the exact colours on the back of the camera in the light that day, so when I got home I added a shade of blue and magenta to some of the more sun-drenched shots.

We got some smoke involved too, nothing more than some glycerin, water and food colouring let off in a safe environment behind the model. It looked great with the light coming through it.

Anyway for more, see this LINK. There’s a load more shoots coming in the next few weeks, so stay tuned; same Bat-time, same Bat-channel…

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Hoax

9 08 2010

The lads from Hoax were the latest crowd to get the Deadl.ie treatment. We met up at the docks and after a few minutes they were totally relaxed and some of the best models I’ve worked with yet. You can check the guys out here and if you like what you hear they’re playing Sunday 15th August in the Mezz

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Photographer’s Notes:

The lads chose to meet at 9pm, which was perfect lighting-wise. The sun was setting and the lights at the docklands were coming alive. Worked out perfectly. Two strobes were used, two SB-600s fired using Nikon’s on-baord CLS, both at full power. The lights were situated at 45′ to each side of the band, the left using a shoot through umbrella and the right through my new Ezybox.

The left light was aimed at the member furthest on the right and vice-versa with the left strobe, ensuring a nice even spread of light across the band. There was no back-lighting this time.

The green-shot  (no.3) was performed with a shutter speed of 1/80 whilst moving the camera freely in my hand as I shot. It was enough to lightly blur the scene, with the flashes (firing at the end of the shutter) was strong enough to ensure detail and clarity.

The set, so far is available here: