Foster The People

1 12 2011

I won’t bore you with some banal chat today. Not when I’ve belter pictures to be showing you from Foster The People’s headline gig at the Olympia from this week.

As always, click to see them larger over at Flickr.

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Tuner Photoshoot

10 07 2011

This is Tuner, a great band, being blasted with lights from all angles. After a quick edit of the 4gbs of photos from today, here’s a few early highlights. More to come soon!

Anyway, we started off at the back of their own studio (thems the wooden background images) – and moved towards St. Annes Park (surely the best place for photoshoots in Dublin.) Two flashes were used for all the pictures- an SB-600 and the impressive Metz-50. They’re relatively cheap and amazingly easy to use with radio triggers and deliver great results every time. I never thought I understood flashes completely, but after today I reckon I’ve got it down.

Anyway, if you like what you see and would like some pictures like this of your own, gimme a shot. Contact details are, handily, under the ‘contact’ tab at the top of the page!

 

 

 

 

 

 





Thesis : Behind the Irish Music Scene

24 03 2011

So here we are: The first samples of my thesis to date (Except in black and white). The Coloured versions will appear in a book, which I’ll hopefully put up here as a pdf after May.

I’ve basically followed bands around, arriving when they do (usually at 4pm) and going home after they do. I’ve hassled a lot of people, pointed cameras where I was told not to and woken up a disgruntled bass-player with an over enthusiastic flash (not recommended). I’ve shot the bands live, but for the book, only candid, behind the scene images will be used.

 

Let me know what you think!

 

 

 

 

 

 





Fight Like Apes, Tripod, 28/11/2010

30 11 2010

Third bad gig in a row.

For whatever reason – and I even copped it but never adjusted it – I managed to change my shooting mode from Raw (Highest qaulity image capture available) to .Jpeg Basic (Lowest quality). So the pictures were tiny, couldn’t be edited to my normal liking and had no decent tones in them. It was a pity. I really like Fight Like Apes and MayKay (the singer pictured above) is a fantastic visual performer. The pictures don’t do the performance justice. Sara Devine’s do, though, so check them out! There’s even a review link there for the gig.

Hopefully I’ll get the chance to shoot them before the year is out – and not cock it up big time. Next up is Arcade Fire, so I’d best get the finger out.





The Black Keys, Tripod, 27th October, 2010

27 10 2010
This was my first gig since Green Day in June. It felt like it too – Had to double check everything and refamiliarize myself with my old rituals before The Black Keys took to the stage – making sure the ISO was not at 200 or 12,500, ensuring I’d my fastest card in first, etc. etc. This was also my first gig shooting entirely RAW. I’ve no shortage of memory cards these days and reckon it’ll become the norm. It may take longer to process, but it’s so worth it – the colour control is stunning; Big thank you to Alessio for showing me the light on that one.

Anyway, here they are – the men that make music that makes you feel sexy. Oh yes, indeed.

 

I didn’t really wanna put this one up because it’s noisy, contains flare, was SO red it had to be converted to B&W and isn’t even that great technically, but I just really like it. Hope you do too:





Hoax

9 08 2010

The lads from Hoax were the latest crowd to get the Deadl.ie treatment. We met up at the docks and after a few minutes they were totally relaxed and some of the best models I’ve worked with yet. You can check the guys out here and if you like what you hear they’re playing Sunday 15th August in the Mezz

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Photographer’s Notes:

The lads chose to meet at 9pm, which was perfect lighting-wise. The sun was setting and the lights at the docklands were coming alive. Worked out perfectly. Two strobes were used, two SB-600s fired using Nikon’s on-baord CLS, both at full power. The lights were situated at 45′ to each side of the band, the left using a shoot through umbrella and the right through my new Ezybox.

The left light was aimed at the member furthest on the right and vice-versa with the left strobe, ensuring a nice even spread of light across the band. There was no back-lighting this time.

The green-shot  (no.3) was performed with a shutter speed of 1/80 whilst moving the camera freely in my hand as I shot. It was enough to lightly blur the scene, with the flashes (firing at the end of the shutter) was strong enough to ensure detail and clarity.

The set, so far is available here:





Paramore, Marlay Park, 23/6/’10

25 06 2010

Or as it shall be known as, The Hayley appreciation post. Enjoy: