Thesis : Behind the Irish Music Scene

24 03 2011

So here we are: The first samples of my thesis to date (Except in black and white). The Coloured versions will appear in a book, which I’ll hopefully put up here as a pdf after May.

I’ve basically followed bands around, arriving when they do (usually at 4pm) and going home after they do. I’ve hassled a lot of people, pointed cameras where I was told not to and woken up a disgruntled bass-player with an over enthusiastic flash (not recommended). I’ve shot the bands live, but for the book, only candid, behind the scene images will be used.

 

Let me know what you think!

 

 

 

 

 

 

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Fight Like Apes, 31st March 2009, Old Bar DCU

13 04 2010

Today, formerly-mohawked drummer Adrian Mullen has today left Fight Like Apes:

“Due to creative differences, Adrian Mullan and Fight Like Apes have parted company. MayKay, Pockets and Tom wish Adrian all the best in his future creative endeavours; as they continue to work on new material for their forthcoming second album..”

It was generally unexpected news, and comes as the band are writing and recording their long-awaited second album. I shot their gig in DCU in 2009. Above are the best three from a time when I was pretty clueless.

This was the second gig I’d ever photographed, and technically the first I’d ever shot from the pit. Given that to get into the pit, I merely had to have a DSLR and give the right people  a nod doesn’t seem like much now, but at the time it was awesome. Armed only with a 50mm (1.8) and being less than two feet away from the band meant that there was no chance of group shots or anything other than head-shots, really. But i was chuffed with the results. I didn’t care about the lighting – which was – and still is – surprisingly fantastic in it’s own way.

I’d never heard FLAPES before that night and was only aware of their more radio-friendly track, Lend Me Your Face. But it was a great night. They are one of the most energentic bands i’ve ever witnessed and definitely one of the more interesting. Thankfully the people of State.ie thought so too – and it was this gig (along with my Fujiya & Miyagi shoot at the Spiegeltent) that secured me a place on their impressive photography team. Just as well the missus dragged me along – just as well I took the camera.

Anyway, how about one more. One from the days of ‘not-so-subtle-editing’, perhaps?:

Oh yeah! Proof that there was once a time I though no image too blury, too dark or generally to bland that couldn’t be saved with a monochrome conversion and raised saturation combination. Niiice!