DollyFrocks

12 02 2013

Here’s a shoot I had with DollyFrocks last weekend. Before I dive back into music photography, I gave one last go to something outside my comfort zone. Fashion confuses me, but photography I can do. With stylists on board, I’m free to shoot the way I like without having to worry about things I know little about (clothes, to be specific. I’m a jeans and tee shirt kinda guy). We headed to Bull Island and avoided the crowds by heading off the beaten track. It was pretty chilly and exposed (not to mention all the dog doo we had to avoid), but it made for some cool backgrounds.

I’d planned to head to the long grass there, and use the Anne Liebowitz ‘Rhianna’ shoot as my basis for the shoot. Unfortunately the weather didn’t break as well as I’d planned and the sky was pretty overcast, but I think I got something acceptable.

All shots were shot with two lights, excluding the ambient light.
I exposed for the background first as always, introduced my first light, then based on the ambient light reading. With a shutter speed of 1/200 and an aperture of f/14 (ISO always at 200 for shoots like this), I brought in the large softbox first. I wanted to get close with the softbox, to retain lots of softness. This was great as I needed the flash at 1/2 at about 4 feet away for most shots. I added a rim light too. To be perfectly honest I’m not that specific with my rim lights. If it defines my model and isn’t massively over-exposed, I’m not going to tweak it too much.

 

I brought some smoke bombs with me, but as they burn for about 30 seconds max, you really have little room for flash misfires, model blinks, dropped poses etc. I’m sure I’ve one, but none presentable at present. In the meantime hopefully these are pleasing to your eye. I’ve a few more ideas for shoots later on in the year, but for now, I think I’ll concentrate on bands.

Models: Chelsea Byrne, Jade Stapleton & Paul Lyons 
MUA: Julia Babahina 
Style: DollyFrocks Clothing, Dublin 
Assistant: Yan Bourke





Tommy McNulty

8 08 2011

I recently met up to photograph musician Tommy McNulty in Temple Bar. Having found my 50mm (It had run away on me) I took it along and used it for the first time in far too long. I also brought the strobes with me, as I am now wont to do and worked as best I could with some very changeable lighting conditions. I’m happy with the shots, they’re fit for their purpose (for posters – hence al the ‘white space’), but Tommy should be appearing on Deadl.ie again soon, albeit in more fun shots.

 

We also gave levitation a go. It was a bit freaky.

 

 

 





Tuner Photoshoot

10 07 2011

This is Tuner, a great band, being blasted with lights from all angles. After a quick edit of the 4gbs of photos from today, here’s a few early highlights. More to come soon!

Anyway, we started off at the back of their own studio (thems the wooden background images) – and moved towards St. Annes Park (surely the best place for photoshoots in Dublin.) Two flashes were used for all the pictures- an SB-600 and the impressive Metz-50. They’re relatively cheap and amazingly easy to use with radio triggers and deliver great results every time. I never thought I understood flashes completely, but after today I reckon I’ve got it down.

Anyway, if you like what you see and would like some pictures like this of your own, gimme a shot. Contact details are, handily, under the ‘contact’ tab at the top of the page!

 

 

 

 

 

 





Thesis : Behind the Irish Music Scene

24 03 2011

So here we are: The first samples of my thesis to date (Except in black and white). The Coloured versions will appear in a book, which I’ll hopefully put up here as a pdf after May.

I’ve basically followed bands around, arriving when they do (usually at 4pm) and going home after they do. I’ve hassled a lot of people, pointed cameras where I was told not to and woken up a disgruntled bass-player with an over enthusiastic flash (not recommended). I’ve shot the bands live, but for the book, only candid, behind the scene images will be used.

 

Let me know what you think!

 

 

 

 

 

 





Hoax

9 08 2010

The lads from Hoax were the latest crowd to get the Deadl.ie treatment. We met up at the docks and after a few minutes they were totally relaxed and some of the best models I’ve worked with yet. You can check the guys out here and if you like what you hear they’re playing Sunday 15th August in the Mezz

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Photographer’s Notes:

The lads chose to meet at 9pm, which was perfect lighting-wise. The sun was setting and the lights at the docklands were coming alive. Worked out perfectly. Two strobes were used, two SB-600s fired using Nikon’s on-baord CLS, both at full power. The lights were situated at 45′ to each side of the band, the left using a shoot through umbrella and the right through my new Ezybox.

The left light was aimed at the member furthest on the right and vice-versa with the left strobe, ensuring a nice even spread of light across the band. There was no back-lighting this time.

The green-shot  (no.3) was performed with a shutter speed of 1/80 whilst moving the camera freely in my hand as I shot. It was enough to lightly blur the scene, with the flashes (firing at the end of the shutter) was strong enough to ensure detail and clarity.

The set, so far is available here: