The Tallest Man On Earth

4 06 2011

A lying bastard he may be (he’s no more that 5’6″, I reckon), but Kristian is a fine entertainer. So good in fact that he moved a couple in the front row to spend the entire first three songs liplocked. It was only himself and the guitar, strutting around the stage for the most part of the night, which could have been a disaster, visually, had he not been so energetic. Anyway, he was bopping away and here are some of the pictures I gotted:

 

Oh and here’s his sister. She was in the support band, but I didn’t catch their name, but they were good. I like this shot too!

 

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Choice Muisc Awards (Part Two – mostly Adebisi and Cast of Cheers)

8 03 2011

After trawling through the other 7.9gbs of photos, I found some others I quite like. Havn’t got around to them all yet, but there a-coming!

Cast of Cheers:

Maykay, Fight Like Apes:

 

Adebisi Shank:

 

 





Choice Music Award

4 03 2011

Carpet burns on my knees, two dead batteries, more caffeine ingested than I care to admit and 8gbs of photos. That was the Choice Music Awards for me this year. Two Door Cinema Club took the gong in the end (and gave the 10k prize fund to charity. Nice.), but that was almost immaterial. The Irish Music Scene is f*cking fantastic these days. Adebisi Shank were stomper, James Vincent McMorrow brought the drunk crowd to a silence, Fight Like Apes seemed to win over even Morrissey (Yeah, I know – he’s definitely following me) and Cathy Davey is like a cure for anything.

Anyway, here’s the pictures you were after I take it. There’ll be more from Adebisi and The Cast of Cheers in the coming days, but make do with this batch til then.

(Imelda May wasn’t there, she was in Australia or something, so you won’t find her here. Oh, and if you don’t know who’s who, just leave your mouse hover over a picture for a second and bingo-bango it’ll tell you. Technology, eh? Magics.)





Christmas Cheer!

25 12 2010

What better way to celebrate Christmas than with a nomination for Music Photographer of the year? Yes indeedy, I’ve made the long-list for The Digital Socket Awards’ Best Music Photography category. It’s a bgreat honor to be nominated amongst some truly superb photographers and I can’t wait to see the shortlist. (My money is on either James Goulden or Ramsey Cardey, if you’re asking.)

To celebrate this achievement, and as a thanks to the staff of State.ie, Goldenplec.com and everyone else who helped me over the past year, I present the best of my 2010. Happy Christmas all.

Sean

(Enjoy) :

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 





Lower Dens, Vicar Street, 22/11/2010

23 11 2010

While this post should be called ‘Beach House, Vicar Street’, lack of lights during their performance meant that I have feck all pictures of worth for this site. That said, support act Lower Dens were bathed in a lovely abundance of light. I only wish I’d paid more attention to them and taken more pictures. Ah well.

 

And here’s the Beach House one’s for comparison:





Bell X1, Vicar Street, 11/11/2010

13 11 2010

I’m usually very prepared. Really prepared, like. Batteries charged the day before a gig and everything triple checked.

So when I turned up to Vicar Street a half-an-hour before the band were due to start I thought everything was going okay. Until I realised I was shooting from the balcony. This hadn’t entered my mind as a possibility prior to this…

So there I was, tucked away on the balcony, mixing with the plebs, with only a 24-70mm and an 85mm lens.It made for some spectacularly piss-poor shots. The above shot is the best of a bad bunch – which is really saying something. You can click it ti see it large, if you should so desire, but truth be told you’re not missing much. Bell X1 themselves are still gonna be tiny. The crowd are still gonna be tiny. I was miles away from where I would’ve been comfortable.

 

Morale of the story – always pack the long lens. Always.





Paloma Faith, Vicar Street, 16th March 2010

18 03 2010

Not my cuppa tea, but Paloma Faith won me over tonight. Having seen her at Jools Holland’s ‘Hootenanny’ at the end of last year, I had her down as a one trick pony. One with an infuriating mouth.

She’s obviously not in it for the money – the stage props, numerous band members, own lighting kits and the flamboyant costumes don’t really spell out financial returns when you’re playing to such a small-ish venue (in Ireland, too). But she didn’t seem to mind. “I love coming to Ireland – you all think I’m fun and nice, but back home they think I’m mental!”. Two songs in hit ‘Stone Cold Sober’ was dispatched to cheers and from then in she had the crowd eating out of the palm of her hand.

Visually, the stage was dominated by a large mirrored piece, which seemed to be a part of boat – which would fit in with the other surroundings, a sunset backdrop and ‘pier’. The mirror was a bit of a pain in the arse to work around – bouncing lights were  everywhere and it was twice as hard to frame an image without any flare.

That said it all worked out in the end. Got some decent shots (above) that Im happy with, and I genuinely enjoyed a show that truth be told I wasn’t looking forward to. Infact, I only put my name down for this gig because I love Vicar Street. The shots I felt worked most were the close ups – I probably should have used the 85mm in retrospect (the back-focusing issues with the Sigma raised their ugly head again). I had a pretty fast shutter speed (above 1/400 at least) and even still I was getting slight shake – as the third image in fullsize will show.

While I wouldn’t count myself as a fan of hers, I no longer want to punch her mouth in.

Which is, I suppose, all that could have been expected.